The semester is coming to an end and we are delighted to introduce you to two charismatic female composers for our event series die Reihe. Contributions to auditory art and culture. Natasha Barrett, currently Edgard-Varèse-Guest-Professor at TU Berlin and Charo Calvo, 2017-18 composer in residency of the DAAD Artists-in-Berlin Program present works, with a focus on the acousmatic experience, yet with different approaches. The TU Studio mobilizes all its speakers to install an Ambisonics system on two levels in the Villa Elisabeth, thus creating a 3-dimensional sound space for live spatialization.

Natasha Barrett and Charo Calvo

Acousmatic Compositions

July 8, 2018 | 19:00 Uhr (Türen 18:30) | Konzert und Gespräch (auf Englisch)

Villa Elisabeth, Invalidenstraße 3, 10115 Berlin

Free entrance

Program

So Real Charo Calvo, 2001 (2017 adaption)

four channel acousmatic composition for live diffusion

The Grass Charo Calvo, world premiere

four channel acousmatic composition for live diffusion

He slowly fell and transformed into the terrain - part 1 Natasha Barrett, 2016

acousmatic composition for higher-order ambisonics

Dark Flight with Luminescence Natasha Barrett, world premiere

acousmatic ambisisonics improvisation

Involuntary Expression Natasha Barrett, 2017 

acousmatic composition for higher-order ambisonics

Panel Discussion After the concert Natasha Barrett and Charo Calvo will be in conversation on stage with Henrik von Coler (TU Berlin) to talk about similarities and differences in their approach to acousmatic composition and spatialization.

die Reihe. Contributions to auditory art and culture is an event series of the Master’s program Sound Studies and Sonic Arts at the Berlin Career College at Berlin University of the Arts the Audio Communication Group at Technical University Berlin. A colaboration between the Electronic Music Studio, the DAAD Artists-in-Berlin Program and the Master’s program Sound Studies and Sonic Arts at UdK.

www.ak.tu-berlin.de/reihe | www.udk-berlin.de/sound