Prof. Dr. habil. Sabine Sanio
short vita
head of theory focus | “Sound Studies and Sonic Arts” (M.A.)
Prof. Dr. habil. Sabine Sanio studied german literature and philosophy in Frankfurt/Main and Berlin; doctorate on „Alternatives to the Aesthetics of the work of art“ in German literature,
habilitation on „The Blurring of Aesthetic Boundaries in the 20th Century" in Musicology/Sound Studies; numerous articles about actual aesthetics, media aesthetics and media history, sonic arts, new and experimental music and about the relationship between the arts.
Theory
books:
Alternativen zur Werkästhetik (Pfau Verlag, Saarbrücken 1999); 1968 und die Avantgarde. Politisch-ästhetische Wechselwirkungen in der westlichen Welt (Studio Verlag/Verlag Königshausen & Neumann, Sinzig/Würzburg 2008).
as editor:
Heroines of Sound. Feminismus und Gender in elektronischer Musik (together with Bettina Wackernagel; Wolke Verlag, Hofheim 2019); Sound as a Model of Time: Thinking Time as Sound. Music, Sound Art and French Philosophies of Time (Band 1 der Reihe Sound: Art and Studies des Masterstudiengangs Sound Studies. Verlag der Universität der Künste, Berlin 2014); Borderlines/Auf der Grenze: Georg Klein (Kehrer Verlag, Heidelberg/Berlin 2014); Das Rauschen (together with Christian Scheib; Wolke Verlag, Hofheim 1995).
articles:
Composition as a Renunciation of Control. Caege’s aesthetics and the supension of the compositional subject (in: Sound Studies and Sonic Arts Reader, edited by Julia H. Schr+der and Volker Straebel, Wolke Verlag, Hofheim 2022); Auditory Mirrors: About the Politics of Hearing (in: The Oxford Handbook of Sound and Imagination, Volume 1, edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard, Oxford University Press 2019); Musik als Raumkunst. Zur Ästhetik von Alvin Lucier (in: Alvin Lucier, hg. v. Ulrich Tadday, Musik-Konzepte Neue Folge, Heft 180/181, edition text + kritik: München 2018); Aspekte einer Theorie der auditiven Kultur. Ästhetische Praxis zwischen Kunst und Wissenschaft, (in: Kunsttexte 4 (2010), published online: kunsttexte.de).
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